In the ever-evolving landscape of entertainment, some Netflix gems shine brightly for just a fleeting moment before vanishing from our screens forever. In this exploration of fleeting brilliance, we delve into “10 Best Netflix Shows That Got Cancelled After One Season.” Despite their limited time in the spotlight, these 10 Netflix shows managed to capture hearts, spark conversations, and leave an indelible mark on the streaming platform. From untimely cancellations to untapped potential, we’ll uncover the reasons behind their short-lived existence and celebrate the unique storytelling, exceptional performances, and innovative concepts that made them stand out.
10 Best Netflix Shows That Got Cancelled After One Season
‘Julie and the Phantoms’ (2020)
The show harmonizes musical brilliance and heartfelt drama, centering on the journey of Julie (Madison Reyes), a gifted vocalist grappling with the loss of her mother. A serendipitous encounter with three young ghosts, former members of a boy band, reshapes her world. Exclusive to Julie’s senses, these spectral musicians become her collaborators in creating extraordinary music.
Melding drama and comedy, the show’s charm lies in Julie’s unique connection to her spectral companions, a fact unbeknownst to her family and friends. With an IMDb rating of 8.4, the series resonates strongly with its teenage audience, weaving a touching narrative while punctuating it with moments of levity. Despite its popularity and unfinished storyline, “Julie and the Phantoms” remains a single-season gem on Netflix, leaving fans yearning for more magical melodies and untold tales.
‘The Society’ (2019)
“The Society” unravels a gripping narrative that unfolds as a group of adolescents grapple with the sudden disappearance of their town’s inhabitants, thrust into a world where they must navigate challenges and forge their own society. A veil of mystery shrouds the circumstances until high school students return prematurely from a postponed trip, only to find the town eerily deserted. Amidst the suspenseful plot, the show’s trajectory took an unexpected turn. Following a renewal for its second season in 2019, Netflix altered its decision in 2020 during the COVID-19 pandemic, leaving fans perplexed.
‘The Bastard Son & The Devil Himself’ (2022)
Adapted from Sally Green’s 2014 novel “Half Bad,” “The Bastard Son & The Devil Himself” weaves a captivating tale centered around Nathan Byrne (Jay Lycurgo), a young man whose identity becomes intertwined with that of the formidable witch, Marcus Edge (David Gyasi), notorious for his malevolence.
Through its lens, the show mirrors the depths of human darkness, while also underscoring the potential for redemption that lies within even the most sinister characters. It serves as a potent reminder that appearances can deceive, revealing the multifaceted nature of humanity. The Netflix adaptation masterfully captures the essence of the original narrative, a fusion of enchantment and brutality. Addressing themes of discrimination and ancestral legacies, it unearths layers of adolescent sexuality with a nuanced touch. But like other shows on the list, this show also didn’t give viewers an opportunity to rewitness the depths of human darkness.
‘Teenage Bounty Hunter’ (2020)
“Teenage Bounty Hunter” introduces us to the unexpected yet enthralling world of Sterling and Blair Wesley, fraternal twins navigating the complexities of high school life. When a mishap involving their father’s truck leads them to veteran bounty hunter Bowser Simmons, the duo takes an unconventional turn by embarking on a career as bounty hunters themselves, all while keeping their secret from their parents. Maddie Phillips and Anjelica Bette Fellini deliver standout performances, capturing the essence of teenage turmoil and adventurous spirit.
Despite garnering praise for its unique premise, well-developed characters, and a blend of action and emotional growth, the show faced an unfortunate fate. Just two months after its premiere, “Teenage Bounty Hunter” met an untimely cancellation, leaving fans and critics alike puzzled by its short-lived journey. Nonetheless, the series’ intriguing balance of relatable teen experiences and thrilling escapades makes it a hidden gem worthy of exploration.
‘I Am Not Okay With This’ (2020)
It delves into the tumultuous life of Sydney (Sophia Lillis), an ordinary teenager contending with the complexities of high school, familial dynamics, burgeoning sexuality, and the sudden awakening of mysterious superhuman abilities.
Set against the backdrop of a pandemic-stricken world, the show’s unfortunate discontinuation stands in stark contrast to its predominantly positive reviews and elevated ratings. With an IMDb score of 7.5/10 and an 86% “certified fresh” rating on Rotten Tomatoes, the series captured hearts and minds alike. Blending elements of a queer version of “Carrie” with a delightful splash of dark comedy, it offered a binge-worthy narrative suitable for diverse audiences.
In a landscape marked by uncertainty, “I Am Not Okay With This” became a beacon of relatability and connection. The show’s untimely end echoes the challenging decisions faced by the entertainment industry during unprecedented times, leaving fans craving more of its compelling blend of relatable struggles, supernatural intrigue, and a touch of irreverent humor that can be enjoyed by families and individuals alike. However, like many good shows this show was also cut short post the first season.
Transporting viewers to a beguiling era, “1899” (2022) emerges as a German multilingual period mystery-science fiction series that immerses audiences in the enigmatic year of 1899. This riveting narrative revolves around a group of European immigrants embarking on a treacherous journey from Southampton to New York City aboard the ship Kerberos.
Captivating the imagination of audiences worldwide, “1899” swiftly ascended to the second spot among the Top 10 TV English titles on Netflix during its inaugural week, boasting a staggering 79.27 million hours watched. The series artfully weaves a tapestry of “distorted reality,” ingeniously manifested through the evocative symbolism of pyramids and triangles. Drawing inspiration from both the enigma of ships vanishing within the Bermuda Triangle and the complex migrant crisis in Europe, the show’s thematic depth resonates powerfully. However the show didn’t see another season and the story was abruptly halted.
“Uncoupled” (2022) offers a refreshing perspective on love and life in the modern age. The show’s narrative orbits around Michael Lawson (Neil Patrick Harris), a gay real estate agent in Manhattan, who, after an unexpected breakup with his long-term partner, finds himself thrust into the perplexing realm of dating once more after a 17-year hiatus. As he embarks on a new chapter of his life, Michael confronts the challenges and transformations that have reshaped the gay dating scene, all while navigating the uncharted territory of singlehood in his late 40s.
Drawing parallels to the iconic “Sex and the City,” “Uncoupled” is masterfully crafted by the creative mind of Darren Star, with themes of self-discovery, self-love, and the enduring bonds of friendship taking center stage. Much like its predecessor, the series delves into the complexities of relationships, both romantic and platonic, against the backdrop of a dynamic urban setting. Through the lens of Michael’s journey, “Uncoupled” captures the essence of change, growth, and the pursuit of happiness, resonating with audiences seeking relatable narratives that mirror the evolving landscape of love and companionship. But this show too failed reappear on the streaming platform.
‘Everything Sucks!’ (2018)
This show invites viewers to step back in time to 1996, where the halls of Boring High School in Oregon become the stage for a heartwarming story. The series revolves around the seemingly mismatched Drama and A/V clubs, both inhabited by students who have found themselves on the fringes of social acceptance. Within this realm of outcasts, the lives of Luke O’Neil (Jahi Di’Allo Winston), Tyler Bowen (Quinn Liebling), and McQuaid (Rio Mangini) intertwine, as they navigate the challenges of freshman year and forge lasting connections.
Despite its cancellation after the first season, the show’s impact has endured, leaving a trail of positive feedback in its wake. Garnering a commendable IMDb rating of 7.5 and a “certified fresh” score of 72% on Rotten Tomatoes, “Everything Sucks!” charmed reviewers and fans alike. With its nostalgic portrayal of the 90s and an endearing exploration of teenage camaraderie, the series is lauded as a tender, joyful journey, invoking a sense of sentimentality that resonates even after its untimely end on the Netflix stage.
“Girlboss” takes its inspiration from the pages of Sophia Amoruso’s 2014 autobiography, “#Girlboss,” offering a glimpse into the unconventional journey that led her to establish the fashion brand Nasty Gal. The narrative orbits around Sophia (Britt Robertson), an eccentric outsider who unexpectedly discovers her passion for fashion, embarking on a transformative path toward becoming a unique and unorthodox entrepreneur.
While the show garnered praise for Britt Robertson’s portrayal of Sophia and her evolution as a character, it also faced criticism for the protagonist’s perceived lack of likability. This divergence of opinions led to “Girlboss” occupying a unique space among shows that elicited varying responses from critics and audiences alike. The series’ portrayal of a young woman’s journey from obscurity to business success resonated with some, while others found fault in the portrayal of the main character’s personality traits. The resulting mix of positive and negative reviews made it clear that we won’t have a season 2.
‘The Good Cop’ (2018)
“The Good Cop” draws its inspiration from an Israeli show of identical nomenclature, weaving a narrative that revolves around Tony Caruso Sr. (Tony Danza), a disgraced former NYPD cop. Tony Jr. (Josh Groban), an unwaveringly honest and dutiful NYPD Detective, stands as his devoted son and partner in solving crimes.
Elevated by the explosive chemistry between its leads, the show presents an engaging blend of camaraderie and detective intrigue. The palpable connection between Danza and Groban creates an aura of authenticity, evoking a sense of hanging out rather than performing. This quality lends the series an endearing charm that appeals to viewers seeking the comforts of a simpler period in television.
“The Good Cop” effortlessly adheres to a distinct formula, infusing warmth and humor into the detective sitcom genre. While offering a familiar yet enjoyable viewing experience, the show possesses a unique allure that sets it apart. Regrettably, its journey was cut short after just one season, leaving audiences yearning for more of the heartwarming camaraderie and lighthearted humor it effortlessly delivered.